Parties. Lea Michelle. Barbie.

I am having an open house which, ostensibly, is to welcome people and neighbors to your new home and let them know they are invited to be your friend. The only reason I am having this party is because my sister insistered (pun intended) that I have this party. Ironically, even though I think of myself as being a loner, we’re expecting about 40 to 50 people.

I simply can’t wait for this to be over. I think it’s actually been in the back of my mind for the last month and a half. I don’t like parties – I never have. When I was a stupid teenager I used to hate parties because I thought that not being invited to a party was a fate worse than death. Later, in college, I gave a party with the help of someone else, and I simply got drunk and crawled into bed and stayed there until they all left. Tomorrow, I hope I can summon up some of that enthusiasm that Sagittarians and Leos have. But in my chart, there is no fire, and probably one of the reasons I don’t want to be at this party — a party I am giving.

Well because so many family members are here, we went to see Funny Girl with Lea Michelle and I am the only person who saw Beanie Feldstein perform the role when the production opened. I can’t say that Lea Michelle’s interpretation wasn’t better, it was, or that her singing wasn’t better, it was, or that her acting wasn’t better, it was. But I have a tiny sense that Beanie’s comedy was a little better. They were very close. But what was so annoying and probably made what would have been a spectacular and maybe even historic performance by Lea Michelle were the fans… sadly. The spectators at Broadway shows, when a famous person is involved, hinder their artistry. In this case, Lea Michelle is one of those who can “belt” — like Liza Minelli, Barbra Streisand, Jennifer Holiday, Judy Garland and to a lesser extent Jennifer Hudson and some pop singers. But because so many people have gotten their culture from GLEE and television shows, they start SCREAMING before the singer has even reached that point of adulation. In Funny Girl, the big moment is when she sings “no nobody, no nobody, is going to rain on myyyyyyyy paaaarrraaaaaaaaaaaaaaaaaaaaaade.” (I tried to indicate how long some of those notes are meant to be held.) But when the audience starts screaming like banshees on the first P of the last word, you don’t get to hear the vibrato or the wobble or even just the length of her ability to hold the note. And what’s even more depressing, is that most singing and artistry is done with the vowels. The consonants are kind of like “stops” that allow the singer to move to the next musical phrase. So for that phrase, it’s more like this: “no noooobodeee, no noobuuudeeeee is gonnaaaa raaain on maaaaaaahy paaaaraaaaaaaaaaaaaaaaaaaaaid.” Anyway, Lea Michelle did a wonderful job in spite of her fans. It would have been nice if I could have heard her above the screaming.

I’ll talk about Barbie some other time, suffice to say, I wasn’t impressed.

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